Gender Roles in Shakespeare Essay - 1760 Words

nbsp;nbsp;nbsp;nbsp;nbsp;It is a peculiar feature of Shakespeares plays that they both participate in and reflect the ideas of gender roles in Western society. To the extent that they reflect existing notions about the proper roles of men and women, they can be said to be a product of their society. However, since they have been studied, performed, and taught for five hundred years, they may be seen as formative of contemporary notions about the relationships between males, females, and power. Derrida was right in asserting that quot;there is no outside to the text.quot; His claim is that every text is affected by every other text and every other speech act. As an instance, most of Shakespeares plays have†¦show more content†¦Elizabethan society had a loosely determined set of normal behaviors that are frequently linked to gender. Despite diffusion of these gender expectations in both time periods (see Dollimore, Traub), there are definite behaviors that either lie within the constructs of gender or exceed/transgress patterns accepted as conventional. Through the mechanisms of exaggeration or transgression, Shakespeares comedies focus attention on the matter of gender and derive comedy from the situations created. Characters that are natural representations of their gender do not contain the same possibilities for comedy. Beatrice says quot;O, that I were a manquot; (Much Ado About Nothing, IV.i.303), implying in context that her gender has made it impossible for her to act. Other female characters in Shakespeare do take on male roles, and whether it is because their true identity is hidden or simply by virtue of their acceptance as non-female, they are able to function in the text in ways that an undisguised female character could not. Rosalind/Ganymede instructs Orlando in the ways of love. Viola/Cesario enters Orsinos house and, consequentially, his heart. Portia argues a case at law; actually serving as a judge in a dispute involving her new husbands best friend. In assuming a mans role, these women overcome the limitations to which Beatrice finds her sex subjected.Show MoreRelatedGender Roles in Shakespeare1834 Words   |  8 PagesGender Roles in Shakespeare It is a peculiar feature of Shakespeares plays that they both participate in and reflect the ideas of gender roles in Western society. To the extent that they reflect existing notions about the proper roles of men and women, they can be said to be a product of their society. However, since they have been studied, performed, and taught for five hundred years, they may be seen as formative of contemporary notions about the relationships between malesRead MoreGender And Gender Roles In Macbeth By William Shakespeare1043 Words   |  5 PagesIn Macbeth by William Shakespeare, gender plays a pivotal role in the development of the overall plot and as the play advances, certain characters, including Macbeth and Lady Macbeth experience a reversal in traditional gender behaviors. Additionally, we see gender confusion among other characters that enhances conflict in the play. Originally, Macbeth and Lady Macbeth are portrayed in ways that enforce their respective masculinity and feminism in accordance to the society around them. As MacbethRead MoreShakespeare s Viewpoint About Gender And Gender Roles1412 Words   |  6 PagesWhat is Shakespeare’s viewpoint about gender and gender roles in the play? Do you agree? In the play â€Å"Macbeth† by William Shakespeare the play was about power and greed. Macbeth were given prophecies from the witches and one of the prophecies was that he was going to become king. After he heard the news he told his wife what the witches told him. From there on she chose to do anything that was going to make them become apart of royalty. She accomplished this missions by manipulating her husbandRead MoreTransgressing Prescribed Gender Roles in Shakespeare Essay1502 Words   |  7 PagesTransgressing prescribed gender roles in As You Like It Shakespeares As You Like It is both a gentle, pastoral comedy and a complicated, dark debate on the relationship between love, power and gender construction. At the centre of the play is Rosalind, arguably one of Shakespeares most engaging, witty, intelligent, and lovable female characters. Rosalind is the epitome of Elizabethan femininity: beautiful, chaste, and charitable; and yet she is able to transcend traditional gender boundaries to becomeRead MoreGender Roles in Macbeth by William Shakespeare Essay1292 Words   |  6 PagesGender Roles in Macbeth by William Shakespeare Although at the time of Shakespeare, women were thought of as lesser beings, he still manages to portray them as strong, and influential people in his play Macbeth. The orthodox view of females when Shakespeare wrote the play is that they were homemakers, looked after their children, they were quiet, weak and unintelligent, and the only reason they existed is to have male children. Males however were the warriors and theRead MoreGender Roles Of Shakespeare s Taming Of The Shrew 2030 Words   |  9 PagesAngamnuaisiri 1 Narupat Angamnuaisiri Foster English IV 10 April 17 Taming of the Shrew: Gender Roles William Shakespeare was one of the most famous writers in the world during the sixteenth century. He came from England, born in 1564 and died in 1616. He was also a poet with more than one hundred sonnets and two long poems. Many of Shakespeare’s dramas illustrate various forms of domestic and social problems. He was a playwriter of some famous plays, such as Hamlet, Macbeth, Romeo and JulietRead MoreGender Roles And Roles Of William Shakespeare s The Merchant Of Venice 1837 Words   |  8 Pages Gender plays an important role in Shakespeare’s comedies. Cross gender roles and cross dressing are essential not only for the inherent humour of the situation but also for the advancment of the plot. English Renaissance stereotypes of women and men and their various roles and responsibilities in society are reflected in Shakespeare. What sets Shakespeare apart is the fact that he also challenges, and at times even breaks down those stereotypes especially in his comedies. Hamlet may proclaim â€Å"FrailtyRead MoreShakespeare s Othello - Role Of Women And Gender Representation1312 Words   |  6 PagesWomen in Othello The role of women and gender representation in Othello challenged the male dominated society in that time period. Women in Shakespeare’s time were seen as being loyal and submissive to their husbands and not going against their husband’s judgment. Shakespeare developed complex and varied female characters in his plays, especially the women portrayed in Othello. In the play, Shakespeare introduces three female characters: Desdemona, Othello s wife, Emilia, Iago’s wife and mistressRead More Gender Roles in Romeo and Juliet, by William Shakespeare Essay857 Words   |  4 PagesRomeo and Juliet, by William Shakespeare, there is an overlaying presence of the typical roles that men and women were supposed to play. During Elizabethan times there was a major difference between the way men and women were supposed to act. Men typically were supposed to be masculine and powerful, and defend the honor. Women, on the other hand, were supposed to be subservient to their men in their lives and do as ever they wished. In Romeo and Juliet the typical gender roles that men and women wereRead MoreGender Roles Of Romeo And Juliet By William Shakespeare1259 Words   |  6 PagesGender Roles in Romance Comics Author and civil rights activist Maya Angelou once said, â€Å"How important it is for us to recognize and celebrate our heroes and she-roes!†. When one thinks of comic books, it is very likely that the subjects that come to mind are Marvel’s Spiderman or DC’s Batman. Although comic books are stereotypically thought to be mainly about super heroes, there are a wide variety of subject matter they could be written about, such as romance. In the 1950s – 1960s, it was common

Othello, By William Shakespeare Essay - 1483 Words

Othello, in the simplest of terms, can be reduced to a play of jealously. Back in the 1940s and 1950s, when scholars focused on Shakespeare’s tale of the Moor, they centered all of their thoughts on the characters controlled by their own jealousy (James). In modern day, we’ve come to a time of civil rights where seeing the insane racism in this play is inevitable. To not see, this is an act of ignorance. Audiences during Shakespeare’s time would have been privy to this aspect as well, though they would not have been horrified as we are today. They would notice the subject of race in the play, but it was something they were used to. As a foreigner in Venice, Othello already has an uphill battle to climb to claim the role of the protagonist. For the majority of the time, an audience wants to see their own lives portrayed, or at the very least, they want to see something they can resonate with. In fact, for them, they would have been more surprised by the full title , The Tragedy of Othello the Moor of Venice, over anything else. It was virtually impossible to be a Moor of Venice because in those times, being a Moor and being of Venice were mutually exclusive identities. They battled against each other. You could be one or the other, but never both. [PH2] Yet, here before the audience, stands Othello, who fits the mold of both. This is the first instance of visual evidence that strengthens the plot and it ends in the demise of multiple characters throughout the play. TheShow MoreRelatedOthello, By William Shakespeare957 Words   |  4 Pagesinnocent person kills himself while not knowing the truth. The best example of that would be the play Othello by the great William Shakespeare. As little as a handkerchief could make a difference if it is a symbol for something. In the play Othello by Shakespeare, handkerchief is first introduced by Othello to his beautiful mistress, Desdemona, as a sign of their love. At the end of the play what gets Othel lo to take extreme measures by the location of the handkerchief. As the symbol of the handkerchiefRead MoreOthello, By William Shakespeare1599 Words   |  7 Pages William Shakespeare’s 16th century play Othello is a duplicitous and fraudulent tale set alternatingly between Venice in act 1, and the island of Cyprus thereafter. The play follows the scandalous marriage between protagonist Othello, a Christian moore and the general of the army of Venice, and Desdemona, a respected and intelligent woman who also happens to be the daughter of the Venetian Senator Brabantio. Shakespeare undoubtedly positions the marriage to be viewed as heroic and noble, despiteRead MoreOthello, By William Shakespeare1218 Words   |  5 PagesIn a historical time period where emphasis was shifting from religion to race and ethnicity, key indicators of differences that perpetuated into racial prejudice and racial ideologies are evident in Othello by William Shakespeare. Although racism was not fully formed at this moment in history, Othello can be interpreted as a representation and an exploration of this shift in ideology. In the past, before this change to ward racial differences, religion was the major segretory factor in signifyingRead MoreOthello, By William Shakespeare894 Words   |  4 Pagesthose that which occurred in Othello written by William Shakespeare. Throughout the play Othello, we see the struggles of a marriage that is not accepted by their society. Othello is a extremely cherished black general living in a primarily white community. The play begins with Othello secretly becoming married to a white woman named Desdemona. This reasons others who are white to become angry and excuse to dislike this black man further more than they already do. Othello is a downward spiral from loveRead MoreOthello by William Shakespeare790 Words   |  3 PagesThroughout Othello by William Shakespeare, Othello makes numerous poor decisions due to his jealousy. Hitting Desdemona, trusting Iago, and killing Desdemona are among a few of the poor decisions that he makes. The word jealous can be defined as feeling or showing suspicion of som eones unfaithfulness in a relationship. Othello feels suspicious of Desdemona’s and Cassio’s relationship because of the lies that Iago tells him. Many people try to tell Othello the truth but he only believes the wordsRead MoreOthello, By William Shakespeare1923 Words   |  8 Pagesdissatisfaction or complication is shown. Firstly in Othello love is presented as ephemeral and transient while atonement love is presented as unrequited and finally in cat on a hot tin roof love is presented as painful and troublesome due to unreciprocated feelings. The tragic plot of Othello hinges on the potential of the villain, Iago, to deceive other characters, above all Roderigo and Othello, through encouraging them to misinterpret what they see. Othello is prone to Iago s ploys seeing that he himselfRead MoreOthello, By William Shakespeare941 Words   |  4 Pageswas Williams Shakespeare’s play Othello which depicts the tragedy of Othello, a Morris Captain. What is different about Shakespeare play is that the tragic hero is the black Othello and the villain a white Iago. Therefore, Shakespeare depiction of Othello as a tragic character and Iago as a villain, challenges Elizabethan’s stereotypes regarding individuals of African descent. Shakespeare challenges the stereotypical â€Å"type –casting of the black man† in Elizabethan society by depicting Othello asRead MoreOthello, By William Shakespeare1152 Words   |  5 Pages‘Othello’ was a tragedy of incomprehension at the deepest level of human dealings as no one in the play came to an understanding of himself or any of the surrounding characters. The play ‘Othello’ by William Shakespeare focused on tragedy through the anguish of the main character ‘Othello’ which lead to the suffering and death of numerous characters including himself. Appearance Vs. Reality challenged human dealings within the play ‘Othello’ as no-one came to see anyone’s true self and no-one seesRead MoreOthello, By William Shakespeare1178 Words   |  5 Pagesprofitable in condition of good and immorality. Othello is presented as good and Iago as evil, but Iago and Othello’s relationship also shares a distrust of their wives. The overall logical argument is based on love, jealousy and betrayal between two lovers that ultimately leads to their separation because of Iago’s evil plan. I am using this article to agree with Berry s view on how Iago separates two lovers just so he can take retaliation on Othello by manipulating everyone to unmasking their trueRead MoreOthello, By William Shakespeare1140 Words   |  5 Pagesâ€Å"Othello† is a play written by William Shakespeare in 1603. In this play, Shakespeare features three major characters: Othello, Iago, and Desdemona. Othello, a black man, and Desdemona, a white venetian secretly eloped in the play. Iago shows racism and prejudice towards their relationship because of their skin colors. In the play, Iago says: â€Å"Even now, now, very now, an old black ram is tupping your white ewe. Arise, arise! Awake the snorting citizens with the bell, or else the devil will make a

How Does Donatello Tell the Story of the Annunciation Free Essays

Painting/Sculpture Essay- Ronan Carey Donatello, originally known as Donato, was given the name Donatello by his relatives and thus, wrote it that way on many of his works, was born in Florence in the year 1386. A gifted artist, he was not only an excellent sculptor and a marvellous statuary, but also prevalent in stucco, an able master of perspective, and a greatly admired architect who worked in virtually every medium possible during his long career, marble, bronze, low relief, pietra serena (dark stone), and even wood . And according to Vasari in his â€Å"Lives of the Artists†: â€Å"his works showed so much grace, design, and excellence, that they were held to approach more nearly to the marvellous works of the ancient Greeks and Romans than those of any other craftsman whatsoever. We will write a custom essay sample on How Does Donatello Tell the Story of the Annunciation or any similar topic only for you Order Now † The piece that shall be discussed in this essay is the work considered by many to be Donatello’s most important work in pietra serena, the â€Å"Annunciation (c. 1435)† for the Cavalcanti tabernacle, in the Santa Croce Chapel, Florence. The entire piece is 218cmx268cm, and is an architectural sculpture that takes the place of an altar in a family chapel, located in the right aisle of the Chapel following the renovation of the Original church and destruction of the original Chapel by Vasari. The Annunciation itself is a biblical scene that refers to moment in which the angel Gabriel delivers the news to Mary that she is to bear the child of Christ. In the Bible, the Annunciation is narrated in the book of Luke, Luke 1:26-38: Luke 1:26 and in the sixth month the angel Gabriel was sent from God unto a city of Galilee, named Nazareth, to a virgin espoused to a man whose name was Joseph, of the house of David; and the virgin’s name was Mary. And the angel came in unto her, and said, Hail, thou that art highly favoured, the Lord is with thee: blessed ‘art’ thou among women. And when she saw him, she was troubled at his saying, and cast in her mind what manner of salutation this should be. And the angel said unto her, Fear not, Mary: for thou hast found favour with God. And, behold, thou shalt conceive in thy womb, and ring forth a son, and shalt call his name Jesus. He shall be great, and shall be called the Son of the Highest: and the Lord God shall give unto him the throne of his father David. It was the skill of Donatello to translate this scene into a sculpture so vibrant and powerful that generation after generation would look upon it and understand the power and significance of the depiction. According to Joachim Poeschke, author of â€Å"Donatello and his World†, like Leonardo da Vinci, Donatello felt that â€Å"the Distance between the viewer and the action had to be overcome in the emotional sense as well as the visual†. It is this mentality that causes the work of Donatello to sweep a viewer up and allow them to feel in the midst of the action, He did not have to â€Å"rely on realistic effects to create such brilliance but rather focus on his own imagination and creative control over his piece†. However, in this piece, Donatello does actually create a harmoniously realistic rendering of such a miraculous and often over-exaggerated scene. So how exactly does Donatello tell the story? Well the strength of the piece lies in its choice of subjects, their depiction, and the complex emotional brevity he applies to their story. The sculpture itself is carved from a single stone of pietra serena, a typically dark stone that is often avoided by sculptors for its monotony in tone and contrast but in the hands of Donatello he used exquisite gold gilding to create a rich and sensuous appeal to the carving. The gold would have glimmered high above the parishioners in the candlelight of the otherwise dark Franciscan church, notable for its one large external rose window. It is important to note the fact that the parishioners would have been looking up at the elevated sculpture as it plays a paramount role in our understanding of its depiction. Donatello used foreshortening in his rendering of Mary to the extent that on ground level, her right leg appears slightly shorter than it would be if it was anatomically correct. An article in â€Å"The Florentine† magazine by Jane Fortune discusses how this foreshortening allows the figures to stand out in what appears to be a much higher relief than one would expect. However, as Bonnie A. Bennett and David G. Wilkins say in â€Å"Donatello†, the use of a richly patterned and gilded background immediately behind the figures prevents the illusion of further depth, but this restricted spatial effect is very appropriate for Donatello’s annunciation as it architecturally justifies his omission of several iconic elements of the annunciation scene. If we look at the figures presented we see only the Angel Gabriel and Virgin Mary and her lyre back chair. It was common practice in the history of art in 15th Century to depict Mary and surrounding with numerous symbols to increase the abject legitimacy of the art. Some of these elements include Mary reading or holding a book to display knowledge and wisdom, a lily for purity, a lectern for the word of God or a dove to show the Holy Spirit. In Donatello’s rendering of the Annunciation, however, there are none of these icons save for the Virgins’ book but there is also no loggia, no view into the virgin’s bedchamber, and no symbolic walled garden to represent her virginity. Florence’s museums and churches abound with portrayals that at times seem overcrowded with symbolism and icons to inform a viewer of the theological importance of the scene they are witnessing. Donatello has chosen to do with away with any imagery that may cloud the focus on the Virgin and Gabriel to allow a viewer to become swept up in the complex story at hand. These omissions only prove to make what Donatello has actually included all the more essential. If we look at how exactly he has illustrated the angel Gabriel we see that he has chosen the moment when Gabriel has literally just entered the room, his large, deep wings are still unfurled in manner that suggest he has only landed this very second to deliver his news. His drapery and ribbons are swept back behind him to accentuate this idea of swift movement and he appears to genuflect on one knee instead as he comes to a landing with his mouth slightly agape in the act of addressing the virgin. Donatello is transmitting the idea of the power and meaningfulness behind what Gabriel has to say. The Madonna herself is in a pose not usually seen up until that point in art history. According to Gerald S. Davies in the Burlington Magazine, â€Å"She is arrested at the precise moment when it expresses the most completely a condition of mental emotion†. She has been caught whilst reading a book; it is still held firmly in her grasp. We can tell she has just risen at the appearance of the angel as she has turned by impulse to leave, clearly taken aback by this miraculous apparition. Her right knee, already bent to take the first step, tells us this. Her left foot is planted firmly on the ground and is yet to be moved. With her right hand she is briskly yet still gracefully clasping for her mantle, which suggests it has fallen from her shoulders as she leapt up in commotion but also confirms that she is accepting of the Angel’s news as she places her hand on her heart. All of these subtle movements come together to express an emotional experience of hearing the message of an angel. Her face is turned downwards in a gracious pose reminiscent of Greek classical sculpture that places it almost completely in profile and away from the direction she is apparently walking. This one look, alone, tells us that what she is hearing is clearly an encapsulating and spellbinding message. In conclusion, Donatello has created something truly special in his depiction of the Annunciation. His omission of several elements in this much re-created scene gave it its own individual appearance and personality, and although it is clearly indebted to the high-relief Greek classical sculptures of Donatello’s favour, it still remains utterly contemporary and even forward thinking in terms of renaissance sculpture. He has taken an otherwise difficult and unspectacular medium, pietra serena, and bent it to his will to create a spectacular piece of ecclesiastical sculpture. His contemporaries would have been so impressed by this work for its sheer courage if nothing else, Donatello did away with traditional conventions for the sake of expressing more genuine emotional in his art. His ability to allow the three essential elements of the story to occur simultaneously, that of the angel’s arrival and the virgin’s shock, his message being delivered, and Mary’s eventual acceptance, is what elevates this work of stone into another level of artistic expression for its time that would have amazed his contemporaries as well as the average citizens of Florence. References: Donatello- Bonnie A. Bennett and David G. Wilkins (pg. 32/147/148) Joachim Poeschke- Donatello and his world (pg. 32/56) Jane Fortune- Variation on a theme: Annunciation- The Florentine-published June 28, 2007 Giorgio Vasari- the lives of the Artists Tuscany Arts- Looking at Donatello’s Annunciation Gerald S. Davies – A Sidelight on Donatello’s Annunciation- The Burlington Magazine- published 1908 How to cite How Does Donatello Tell the Story of the Annunciation, Essay examples

Physics in Our Daily Life free essay sample

Physics is the science of matter and its motion, space-time and energy. Physics describes many forms of energy such as kinetic energy, electrical energy, and mass; and the way energy can change from one form to another. Everything surrounding to us is made of matter and Physics explains matter as combinations of fundamental particles which are interacting through fundamental forces. It will not be an exaggeration if it is said that Nature is almost Physics (apart from the fact that the word Physics itself is derived from Greek physis meaning nature). Physics is all around us. We can find Physics as the backbone for any daily life example such as an electric light, electricity, the working of our vehicle, wristwatch, cell phone, CD player, radio, plasma TV set, computer, and the list goes on. As we all know physics is the study of natural phenomena. Any sort of technology which we uses in our daily life is related to physics; You can see the examples given below 1)television uses electromagnets to direct electrons on a screen to produce pictures. We will write a custom essay sample on Physics in Our Daily Life or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page 2)A cell phone uses microwaves. 3)Your car is built on mechanical principles. 4)A refrigerator uses thermodynamic principles. 5)Most modern homes use electricity to power appliances. Physics is also a necessity in solving our future problems. The examples cited above show that forward-looking developments are based on the insights of physics. This applies most especially to all problems, or rather solutions thereof, which are critical for our future. Whether it pertains to new materials, the development of fuel cells for a more environmentally-friendly propulsion techniques, or nuclear fusion as a source of energy in the future, in any event, physics creates the conditions for solving problems.